“A lot of people don’t want people to know about this,” says Gregory Nava, the director of “Bordertown.” “This” is the rape and murder of hundreds of women (some say thousands) in the border factory towns of Ciudad Juarez and Chihuahua, Mexico. Amnesty International and other human rights organizations are very concerned about what has been called “femicide,” the killing of women.
The film was inspired by the real life hero, Barbara Martinez Jitner, who posed as a maquila worker in order to make her film, “La Frontera.”
"Bordertown" is about an American reporter (Lopez) who goes to Juarez to write a story about the disappeared women and becomes involved in the case of Eva, a sixteen-year old maquiladora worker who was raped and left for dead. Eva, originally from the state of Oaxaca, is a strong young woman who wants to find and have those who raped and tortured her punished.
The film also focuses on the role of NAFTA, the North American Free Trade Act, in creating the conditions for the concentration of Mexican women, most of whom come from other states of Mexico, in the maquilas, the border factories.
Though the film has laudable intentions, I cannot fully recommend it because it is an uneven combination of an implausible thriller and a serious film about troubling subjects. It also has many holes in the plot.
I do, however, highly recommend, the informative added features that follow the DVD.
An update: As Ciudad Juarez has descended into further violence due to fighting between rival gangs, and the deaths of more than two thousand people, more young women have continued to “disappear.” Mexico has been accused of violating the Inter-American Convention on the Prevention, Punishment and Eradication of Violence against Women, the Inter-American Convention on the Forced Disappearance of Persons and the American Convention on Human Rights.
“Ni una mas,” “Not one more,” is the cry of those protesting the Mexican government’s inaction and/or complicity in the murders of these women.
Another special feature, “La Frontera,” (“The Border”) tells about the life of Eva Canseca, a border factory worker from the state of Oaxaca who wants to cross the border to make a better life for her children. She is from a largely indigenous region of Oaxaca and claims that high taxes and low wages are causing many farmers to leave the land, thus destroying the ancient cultures of the Zapotec and Mixe people.
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